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It will be available on 180-gram vinyl, CD and through digital platforms, and will be released “In righteous memory of Dusty Hill.” G-Mane Moon RAW was mixed by Ryan Hewitt. Billy F Gibbons served as producer, with engineering by Jake Mann and G.L. The RAW tracks, including this new version of “Tube Snake Boogie,” were recorded over the course of one day with an eye to keeping the whole process as simple and straightforward as possible, a nod to the band’s early days. We knew right then it was a very special circumstance, all of us in the same place at the same time and what a time it most certainly was!” Just us and the music, no audience of thousands, no concession stands, no parking lot social hour, no phalanx of tour busses. The new album’s liner notes by Gibbons and Beard note of the RAW sessions, “.it was, in a very real way, a return to our roots. He noted, “It really revolves around Frank’s opening which is kind of surf-meets-jungle.” For his part, Beard credits his drum intro as having been inspired by Sandy Nelson’s classic percussion-driven instrumental “Teen Beat.” While “Tube Snake Boogie,” written by Gibbons, Hill and Beard, has been one of ZZ Top’s signature songs for more than four decades, others have attempted to cover it, most notably Serbian rock band Cactus Jack, as well as Canadian blues artist Bill Durst. The late Dusty Hill had characterized it as the ultimate “party song” while Billy Gibbons credits drummer Frank Beard for getting it up and running. Upon its release as a single, “Tube Snake Boogie” entered the Top 5 of Billboard’s Mainstream Rock Chart and became a mainstay of the format. “Tube Snake Boogie” debuted in 1981 as part of ZZ Top’s El Loco album and is one of their most enduring in-concert favorites, typically provoking frenzied audience participation.
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